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CURRICULUM VITAE
CURRENT POSITIONS AND ARTISTIC PRACTICE:
The research, development, production and public exhibition of a broad based Fine Art practice including architectural and site-specific installation, object, photographic, video and digitally manipulated works.
0.5 Senior Lecturer in Fine Art :
Central St. Martin's College of Art & Design, London
Director and Company Secretary of Figureband Ltd: Non-profit Limited Company
providing at-cost Artists' Studio accommodation.
Management Committee Member: ACME Artists/Studios/Housing Association,
Major provider of charitable studios to non-commercial Fine Artists in Central London
Studio Manager of Occupation Studios:
Voluntary Organisation providing charitable studios to 17 non-commercial Fine Artists in Central London
OTHER PREVIOUS EXPERIENCE:
Part-time and Visiting Lecturer in Fine Art on a range of BA and MA courses throughout
the UK since 1993
Consultant to Arts Council of England on:
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Studios Development Advisory Group |
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Development of the National Artists Association Steering Committee |
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Development of Community Land Trust models for artists' workspace
provision, via the New Economics Foundation |
RELEVANT ACADEMIC QUALIFICATIONS:
| 1993 |
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MA Fine Art Sculpture, Royal College of Art |
| 1991 |
| BA (Hons) Fine Art Sculpture, 1st class, Chelsea School of Art |
SOLO EXHIBITIONS
| 2000 |
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'Whole', Home, London |
| 1999 | | 'Altered Reflections', Artesium, Luton |
| 1996 | | Solo Exhibition, Prema Arts Centre, Uley |
SELECTED GROUP EXHIBITIONS
| 2004 |
| 'Something Strange', The Aine Art Museum, Tornio, Finland |
| 2003 |
| 'No Fixed Position', Lethaby Gallery, London |
| 2002 |
| 'Hygiene: The Art of Public Health', The London School of Hygiene and Tropical Medicine |
| 2000 |
| 'L'Incurable Memoire des Corps', L'Hopital Charles Foix, Paris |
| 1999 |
| 'disEMplacements', Woodlands Art Gallery, London |
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| 'Private Views', Institute of Contemporary Art, Dunaujvaros, Hungary |
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| 'Harlech Biennale', Harlech, Wales |
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| 'Nerve', Institute of Contemporary Art, London |
| 1998 |
| 'Private Views', National Museum of Modern Art, Tallinn, Estonia |
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| 'Mostyn 10', Oriel Mostyn, Llandudno, Wales |
| 1997/8 |
| 'Craft', at the following venues: |
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| Richard Salmon Gallery, London; |
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| Kettle's Yard Gallery, Cambridge; |
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| Vardy Gallery, Sunderland; |
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| Aberystwyth Arts Centre, Wales |
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| 'Touching Matters', Swiss Cottage Central Library, London |
| 1997 |
| 'The Look of Love', at the following venues: |
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| The Approach, London; |
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| John Hansard Gallery, Southampton |
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| '30 Years of Cheltenham Fellows', Cheltenham Museum and Art Gallery |
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| 'Virtual Vulgarity', University of Reading |
| 1995/6 |
| 'A Suivre', at the following venues: |
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| The Tannery, London; |
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| L'H du Siege, Valenciennes, France; |
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| Museum of Contemporary Art, Bruneck, Italy |
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| National Museum of Modern Art, Madrid Spain |
| 1995 |
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'Composite adj.', Arnolfini Gallery, Bristol |
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| 'Multiple Choice', Jibby Beane, London |
| 1994/5 |
| 'Germinations VIII', at the following venues: |
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| De Beyerd Centre for Contemporary Art, Breda, Netherlands; |
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| National Gallery of Contemporary Art, Warsaw, Poland; |
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| The Factory, Athens, Greece; |
| 1994 |
| 'Whitechapel Open', Atlantis Upper Gallery, London |
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| 'Name and Address Supplied', Pittville Gallery, Cheltenham |
| 1993 |
| 'Western Exposure', Riverside Open, Riverside Studios, London |
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| 'Snap Shots', Anthony Wilkinson Fine Art, Eagle Gallery, London |
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| 'Whitworth Young Contemporaries', Whitworth Art Gallery, Manchester |
| 1992 |
| 'East International', Herbert Read Gallery, Canterbury |
BIBLIOGRAPHY / PUBLICATIONS
| 2004 |
| 'Something Strange' catalogue, essays by Timo Valjakka and Joanne Morra,
The Aine Art Museum, Tornio, Finland |
| 2003 |
| 'Hygiene: The Art of Public Health', article, Journal of Visual Culture, Vol. 2 No. 1,
SAGE Publications, London, |
| 2001 |
| 'Private Views: Spaces and gender in contemporary art from Britain and Estonia',
W.A.L., London |
| 2000 |
| 'L'Incurable Memoire des Corps' catalogue, Alliage, France |
| 1999 |
| 'Nerve' catalogue, Nerve Systems / ICA, London |
| 1997/8 |
| 'Craft' catalogue, Richard Salmon Gallery, London |
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| 'Craft' Review, Martin Coomer, Time Out; |
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| 'Craft' Review, John Tozer, Art Monthly; |
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| 'Craft' Review, Izi Glover, Artists Newsletter |
| 1997 |
| 'The Look of Love' catalogue, texts by Jean Paul Martinon & Peter Cross, |
| 1995 |
| 'A Suivre' catalogue, Association Acte de Naissance, France |
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| 'A Suivre' review, Mark Currah, Time Out |
| 1995 |
| 'Multiple Choice' review, Adrian Searle, Time Out |
| 1995 |
| 'Composite adj.' catalogue, Arnolfini Gallery, Bristol |
| 1995 |
| 'Germinations VIII' catalogue, Germinations Europe |
| 1994 |
| 'Whitechapel Open' catalogue, Whitechapel Art Gallery, London |
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| 'Whitechapel Open' review, Mark Durden, Art Monthly |
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| 'Whitechapel Open' review, Sarah Kent, Time Out |
| 1993 |
| 'Snap Shots' review, Sarah Kent, Time Out |
| 1992 |
| 'East' catalogue, NIAD, Norwich |
SELECTED AWARDS
| 2000 |
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London Arts Board, Award to Individual Artists |
| 1994 |
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South West Arts Project Award |
| 1993/4 |
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Cheltenham Fine Art Fellowship |
| 1992 |
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'East' International Award |
PUBLIC PAPERS
| 2003 |
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‘A Case Study in Co-operative Survival’, keynote speaker, Making Spaces Conference, Arts Council England / Yorkshire Artspace Trust |
| 2001 |
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'Capital Needs, Creative Solutions: New financial and constitutional
strategies for workspace development', Visual Artists Representatives
conference, Arts Council of England |
| 2001 |
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'The Independant Artists’ Studio Sector: Captial Purchase
and Organisational Development', Creativity and Regeneration conference,
Tate Modern / London Borough of Southwark |
| 1999 |
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'Reality, Virtuality, Technology’, at conference ‘Creativity
& Consumption’, Artesium, Luton |
| 1997 |
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‘Virtual Vulgarity’, at conference ‘Virtue &
Vulgarity’, University of Reading |
| 1997 |
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'Public Secrets and Unwanted Gifts’, at symposium ‘Identity in Art’, Cheltenham & Gloucester College of Art & Design |
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